CD Release shows in Chicago and Misourri

I played a Chicago area CD release show at the Two Way Street, in
Downers Grove on the 6th of August  and it was really great.
The audience at the Two Way Street was very attentive  and  the room is set up in
such a way that you really feel a connection to the listeners. I hope everyone had as good a time as I did!

I’ll also played a CD release/benefit show in Ozark, Missouri on Sunday, August 22nd at the Ozark Presbyterian Church in Ozark, Missouri.
The proceeds from the admission charge went to the benefit the fair trade movement which promotes fair business practices  in dealing with the coffee growers of Central America. The show had a nice turnout

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New CD – La Esperanza Sigue

LES-cover-small

On August 6th my new CD titled “La Esperanza Sigue” was released.

All of the pieces are solo guitar or solo dulcimer (13 guitar pieces and 2 dulcimer). The centerpiece of the disc is the suite “La Esperanza Sigue” which was inspired by the time I spent in Nicaragua working as a volunteer with young children. The organization I worked with was called La Esperanza Granada and I composed a suite based on the idea of
hope for the children of the world and titled it “La Esperanza Sigue” which translates from the Spanish as “The Hope Continues”. I’m really pleased with how it turned out and I hope that it inspires something of hope in you.

Title Listen Purchase Track
1.
The Gathering Storm
Buy
MP3
2.
What Keeps Me Going
Buy
MP3
3.
One Day in a Kansas Wheat Field
Buy
MP3
La
Esperanza Sigue Suite
Que haya aprendizaje Buy
MP3
Que haya amor Buy
MP3
Que haya alegría Buy
MP3
7.
Bread on Both Shores
Buy
MP3
8.
La Casita en la Orilla
Buy
MP3
9.
Mountain Home
Buy
MP3
10.
Caravana Espiral
Buy
MP3
11.
G Falling
Buy
MP3
12.
Carta a un Angel
Buy
MP3
13.
Chillin’
Buy
MP3
14.
Sarabande
Buy
MP3
15.
Spirit, Sword and Shield
Buy
MP3
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Recordings, recordings, recordings (and a new toy)

Before I get to the new recordings, I have an upcoming show to plug. I’ll be at Adelle’s (1060 College Ave. in Wheaton) on Thursday, April 30th. I’ll be playing in a duo format with bassist Patrick Williams and we play from 7:00 to 10:00 pm. We’ll play a lot of my original material with some jazz standards blended in to fit with the restaurant’s “jazz night” theme. The restaurant has very good food – I know because it’s one of the rare places that feeds the musicians – so come and eat and listen. There is also a bar area right in front of the musicians so if you just want to come and just have a drink you’ll have a perfect seat for the music.

I’ve been recording an awful lot lately. I started with three sessions in Mexico, the most extensive being with Armando López Valdivia, the early music specialist from Guanajuato that I play with frequently. On the trip to Mexico I brought my portable recording rig which consists of a digidesign Mbox, a laptop and a pair of mics.
Armando-vdg
Armando playing the bass viola de gamba

Armando and I recorded two hours of music which I edited and mixed when I arrived home. It really turned out beautifully and I suspect we may press the results into a CD. Armando played viola de gamba, treble viol, bass viol, recorder, zamfona, bodhran and guitar and I played guitar, dulcimer and vihuela. Here is one of the pieces to hopefully pique your interest: http://www.michaelkentsmith.com/playlist/jm/1A.m3u

In Mexico City I recorded with drummer/percussionist Javier Sosa. Javier played a plethora of drums and percussion instruments and I played guitar, dulcimer and bass. We recorded everything but the bass at Javier’s house and I brought the tracks home to overdub bass and then mix it all. The results are clearly what you would have to call world music and have a lot of influence from Africa. I’m sure that is because Javier and I played together on the Africa tour and heard a lot of great African music that impacted us both. Javier was already quite well versed in African music before the tour where I knew relatively little. What we saw and heard deepened his knowledege and inspired me to learn more. Here’s a sample track that is an afrolatin-hillbilly mix: http://www.michaelkentsmith.com/playlist/jm/1.m3u

While I was in Mexico City I also recorded some solos by Eduardo Garavito, an excellent African percussionist who also was on the Africa tour. I recorded him solo and I will edit his tracks to become accompaniments for a series of guitar/percussion duets that I will compose. Unfortunately, I haven’t had time to write the guitar parts yet since I’ve been so busy with all these other recording projects. By the next Newsletter, I’ll have the guitar music composed. I also went into the studio with Eduardo and three other musicians to record a track for his upcoming CD. After sorting out some technical difficulties the session went well and I look forward to hearing the end result.

Immediately after returning to Chicago I did a session with R&B/Jazz vocalist Jazmín Sky. She recently moved to Chicago from the Bay area and we have started playing as a vocal/acoustic guitar duo. We wanted to make a demo to get some gigs so we recorded four songs and I’ve included our version of “God Bless the Child” here so you can get a taste: http://www.michaelkentsmith.com/playlist/jm/child.m3u

Now to the new toy. I asked Mexican guitar builder Salvador Castillo from Paracho, Michoacan to make me a custom classical guitar. I had gotten to know him on my previous visits to Paracho and really liked his approach to building guitars. He built me a beautiful instrument of Brazilian Rosewood with a European Spruce top.
Salvador-new-gtr
I played it on the recordings with Armando a mere two days after buying it but I had very little time to play it besides that. I was looking forward to getting it home and really exploring its possibilities. However, when I arrived at O’hare airport at the end of the trip there was no guitar at baggage claim. They had made me check the instrument instead of letting me carry it on board, which they sometimes do. When I finally found a representative to help me (this was at 2:30 am) she asked me for my claim ticket which I realized I had left it on the plane. She called the crew on the plane and they told her that they had already cleaned the plane and thrown everything away. I was told that without the ticket I would have no claim against them if the instrument was lost. I thought that it was gone for sure. She gave me a phone number to call the next day and I took a cab home in a rather dejected state. I called the next day and, lo and behold, they had found the guitar! They offered to bring it to my house but I said that I’d be right there to pick it up. When I arrived at the airport they handed me the instrument and I opened the case (it was in a hardshell case with a padded case around that) to check it out. At first it looked O.K. but then I saw that the heel block had cracked all the way through. They must have dropped it from a substantial height to make it break like that. I was given a number to call to initiate a claim and I’m still fighting with the airline to see what they will do about it. I’ll keep the airline anonymous for now but if they don’t come through, believe me, I’ll make sure everyone knows which airline it was! The next day I brought the guitar to luthier R.E. Brune in Evanston and he did a fantastic job of repairing the damage and I now have the guitar back in my posession and I’m enjoying it immensely.

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Gigs plus Mexico Trip

I just landed a last minute gig. This Friday the 27th I’ll be playing solo at The River’s Edge Café in Aurora (http://theriversedgecafe.com/) . It’s located at 18 W. Downer Place, Aurora IL 60506. I play a set 7:30 pm and singer Harry Brown will do a set following mine. It’s late notice, but if you can make it, great!

Also on the horizon: the Pong Unit will be making an appearance at the Uptown Poetry Slam at the Green Mill (http://www.greenmilljazz.com) on Sunday, April 5th at 7:00 pm. with Carter Luke on piano, Steve Hashimoto on bass, Heath Chappell on drums and me on guitar. It’s always a good time and the band is really getting to sound good!

I’m leaving this weekend for Mexico to pick up a new custom classical guitar built for me by Salvador Castillo. He is one of the excellent young guitar builders in the town of Paracho where I visited last year. I have played his guitars and liked them all very much. Over two thirds of the town’s population earn they livelihood from the guitar building trade and over the last two decades a tradition of building very fine professional instruments has been developing. I have seen photos of the new guitar but I can’t wait to get my fingers on it!

After Paracho I will be heading to Guanajuato to record with Armando López Valdivia. Armando has a collection of over 200 instruments. Most of them are replicas of instruments from the Middle Ages and Renaissance but several are from Africa and Asia as well. The outcome of the sessions may make for a CD or it may just be a tool for getting concerts but either way I’m sure it will be great fun to play and record.

On the Mexico trip I’ll also be visiting my friends in Mexico City and doing some recording for a project of percussionist Eduardo Garavito as well as possibly doing some recording with drummer Javier Sosa as well.

After I return I will post some audio, photos and hopefully video of the new guitar and the recording sessions. I am selling a 1973 Fender Stratocaster with natural finish, ash body and maple fretboard. I’m asking $2200 for it. If you’re interested, contact me and I can send photos and give you more information on it.

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Guanajuato mini-tour a Success

The first concert in the beautiful Museo Iconográfico de Don Quixote in Guanajuato,
Mexico on August 7th turned out to be one of the best concerts I’ve ever given.

The museum is a converted old hacienda near the center of town and it has a great concert space in the sculpture garden with wonderful acoustics. I’m happy that Armando Lopez
Valdivia joined me on stage again. He played with me there 2 years ago and it was a fantastic show. Armando is an early music specialist and has a collection of nearly 200 instruments – and he plays them all!
On the strength of that concert I was offered another at the Museo Dieguino also in Guanajuato. The environment for that concert wasn’t as ideal as the Iconográfico, but the seats were filled with attentive listeners.

Between the two concerts, I traveled to Mexico City to do some recording with drummer Javier Sosa and bassist Edgar Sanchez. I’ll post some audio of that session when it’s
mixed down. I then went to Paracho, a small town in the mountains of the state of Michoacan to purchase some instruments.

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Off to Mexico

I’m heading down to Guanajuato, Mexico for a concert on August 7th at 7:00 pm in the ‘Museo Iconografico de Don Quixote’. It’s a great space to play in with marvelous acoustics. The museum is an old converted hacienda and they put a glass roof over the courtyard, which is where the concerts take place. I hope to have a guest appearance by my friend Armando Lopez Valdivia who plays an incredible variety of early music instruments. When I played at the museum 2 years ago he joined me for the second half of the concert playing replicas of several ancient instruments in my pieces. We also performed a couple of Medieval tunes that were really fun to play with such a master of early music. The art department at the museum has made a great poster for the show. In Spanish speaking countries they always drop the last of 3 names so in Latin America I’m Michael Kent… no Smith. Click here to see a jpeg of the poster – I hope they saved a copy for me!

After the show in Guanajuato I will be heading to the town of Paracho in Michoacan where 3/4 of the town earns their living in the guitar building/selling trade. It’s a small village in the mountains and is quite traditional but there are a handful of excellent builders and I want to try their instruments. I also have some orders to scope out a mandolin for my brother and a guitarrón (the big mariachi bass) for my bassist friend Jack McAuliffe. Hopefully I’ll find good instruments at excellent prices for them.

Then it’s on to Xalapa (or Jalapa), the home of the jalapeño pepper in the state of Vera Cruz. It’s also home to the best symphony in Mexico as well as a large music school that creates quite a local music/art scene from what I hear. It’s also supposed to be a very beautiful city so I decided this is one place better go and check out.

I was remiss in not warning you in advance of the reunion of the classic Pong Unit (the mach 2 version of the band with Steve Hashimoto – bass, Carter Luke – keyboards, Heath Chappell – drums and me on guitar) at the Green Mill Poetry Slam last Sunday. That version of the band hadn’t played together in 10 years and it was like we had hardly skipped a beat. There were a couple of dicey moments in the more complex arrangements but the feel of the band hadn’t lost anything. Next time we play the Mill, I promise I’ll announce it in advance. It’s worth checking out.

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Concert Tour of Mexico, Europe and Africa

I was invited to tour as the guitarist in the band of Koulsy Lamko, an African vocalist currently residing in Mexico City. The tour visited several cities in Mexico, France, Italy, Mali and Burkina Faso. The band was part of “The Caravan Tom Sank” which celebrated the life of Thomas Sankara, the former president of Burkina Faso. Although the tour had a number of logistical problems, it was fascinating to see Africa and to get to know the people a little bit. We had a couple of fantastic opportunities to play with griots in Mali. The griots are a caste of musician/poets that are raised to be artists from childhood and keep their people’s cultural story and wisdom in memory through song and spoken word. I have never played with more natural musicians in all my life.

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Los Gitanos Smith

The hot new rumba flamenco group out of Aledo Texas, Los Gitanos Smith, is taking the world by storm with their new smash song “El Cerro Escondido”. The group features
Dana Smith (10) on rhythm and melody guitar, Doug Smith (12) on snare drum
and hand-claps, Stephanie Smith (15) on flute and Uncle Mike (a couple years
older than the rest) on lead guitar, bass and various computer things. Click
here to listen to “El Cerro Escondido”….
you’re sure to enjoy!

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Texas Trip

 

I am now on a road trip in my new RV traveling through the southwest
US. As I write this I am sitting in a campground in San Antonio, Texas.
The trip didn’t start out with the intention of being a music trip but
that has sort of changed! (not like I’m complaining, mind you) While I
was in Mexico I ran into an old friend, Chuck Umsted, who is a teacher
at a bilingual school in Sherman, Texas. When I told him I’d be passin’
through Texas, he invited me to come give a concert at his school. Since
my trip took me right through Sherman, I couldn’t say no!

Chuck’s school is a bilingual school or, more accurately, a 50% bilingual
school because only about half of the 450 kids are in the bilingual program.
I played in an outside courtyard on a beautiful day with blue skies stretching
from horizon to horizon. The concert was for the bilingual kids and a
good portion of the 250 showed up to listen. I talked about how music
is a kind of language that musicians speak amongst themselves as well
as with the audience and how speaking more languages allows you to communicate
with more people.

After the concert portion, during which we all spoke Spanish, there was
a question/answer session in English to give the older kids a chance to
practice. I was amazed at the quality of their questions. I’ve sat through
Q&A sessions after concerts by artists like Steve Reich and Pat Metheny
and the questions were, for the most part, fairly banal at best. Here
I had a group of 10 and 11 year olds asking probing questions like “do
you think a lot about your compositions before you write them, or do you
write them on the spur of the moment?” Below are some photos of the
concert.

Ok, so they didn’t pay attention every
second… but they really were a wonderful audience! Playing some blues with Chuck Umsted

After my stay in Sherman I moved on south to Fort Worth which is where
my brother and his family live. I got to spend a great week hanging out
with family. However, the coolest project of the week was a recording
that I made with my niece and nephews. I wrote a tune with parts for each
of them – my niece Stephanie (15) plays flute and my two nephews Doug
(12) and Dana (10) play drums and guitar respectively. Once I had the
skeleton of the piece written and loaded into Pro Tools, I had each of
them sneak out to the rv without their folks knowledge and record their
parts. It turned out really well I think. You can listen to it here.

I think that’s all I’m going to put in this newsletter because I don’t
want to make it too long. I’ve actually left out several recent shows and
some new recordings that I’ve done, but I’ll save those for another post.

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Back in Chicago

Right before leaving for Mexico I recorded guitar tracks for a great new piece by my composer friend Joe Hasiewicz. It’s called “Change
in the Possibilities” and I got to fire up the old electric guitar
and play some challenging stuff. The piece features the guitar and Joe
wrote some extremely difficult parts. It was hard work learning
it all, but well worth it. I wish I could take credit for all those cool
guitar lines but Joe wrote every note of it. You can listen to it by clicking
here.

During the two weeks I was back in Chicago after returning from Mexico
I recorded a piece for my friend the bassist Steven Hashimoto’s new cd.
It’s a very cool tune called “Goya” that was inspired by the
film “Goya in Bordeaux” by Carlos Saura. The film is about the
life of the Spanish painter Francisco Goya. Hashimoto’s piece has a strong
flamenco flavor with shifting meters that make it tricky to improvise
on. It was great to play with Hash and my old friend, drummer Heath Chappell.
The cd should be out in July… stay tuned for more info.

 

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